New York Classical Review3 天
Nézet-Séguin, Philadelphia Orchestra twine music of grief and loss by Heggie, Mahler
In the Ninth Symphony, Mahler examines death from an internal, personal view. Through the music, Mahler sees the end and ...
New York Classical Review6 天
Levit’s explorative Brahms provides the highlight at Carnegie
That brings one to pianist Igor Levit’s performance at Carnegie Hall on Sunday afternoon. Levit is one of the great ...
New York Classical Review2 天
No words but plenty of drama in Stutzmann’s “Ring” with the Philharmonic
If you like looking at pictures of Alfred Roller’s sets for Götterdāmmerung or portraits of Jean de Reszke as Siegfried or Birgit Nilsson as Brünnhilde, you would likely have enjoyed the New York ...
New York Classical Review10 天
A romantic program finds its footing with Bell, Philharmonic
Those listeners heard him play Dvořák’s Violin Concerto, but missed Tchaikovsky’s Symphony No. 4 on the second half. Opening ...
New York Classical Review9 天
Terfel returns to Met, ignites with Radvanovsky in “Tosca”
As they did in 2021, Sondra Radvanovsky and Brian Jagde reunited as Floria Tosca and her painter-lover Mario Cavaradossi.
New York Classical Review12 天
Tenor Pati makes an ardent Met debut in “Rigoletto”
Verdi’s Rigoletto returned to the Metropolitan Opera on Monday with a fresh cast under the baton of Daniele Callegari. The ...
New York Classical Review7 天
A starry cast breathes fresh, convivial life into Met’s “Bohème”
Like the things Mimì cherishes—sweet, charming, and full of dreams and wonder—Saturday evening’s performance captured all ...
New York Classical Review16 天
Edusei roams widely and brilliantly in Philharmonic debut
In an impressive Philharmonic debut, the German conductor Kevin John Edusei presented a brilliant calling card in Samy Moussa ...
New York Classical Review6 天
Sequentia spins a medieval German saga for Music Before 1800
Sequentia performed “Gregorious—The Holy Sinner” Sunday at Corpus Christi Church. Early music concerts are a form of time travel. With “Gregorius—The Holy Sinner,” Music Before 1800 transported the ...
New York Classical Review18 天
Kutasi’s Amneris provides the highlights in Met’s uneven, archaeological “Aida”
Angel Blue in the title role and Piotr Beczała as Radamès in Verdi’s Aida at the Metropolitan Opera. Photo: Ken Howard / Met Opera As the fedora-hatted archaeologist was lowered into the Egyptian ...